Oct 18, 2010

FWVTA Congratulates Franschhoek's Winning Wines


Veritas Awards 2010
  • Double Gold
    Glenwood Vigneron's Selection Chardonnay 2009
  • Gold
    Boschendal 1685 Chardonnay 2009
    Dieu Donné Merlot 2008
    Graham Beck Bowed Head Chenin Blanc 2009
    Graham Beck Lonehill Chardonnay 2008
    Graham Beck Pheasants' Run Sauvignon Blanc 2010
    Graham Beck Pheasants' Run Sauvignon Blanc 2009
    Graham Beck The Ridge Syrah 2006
    La Petite Ferme Merlot 2008
    Môreson Pinotage 2008
    Môreson Solitaire N/V
    Vrede en Lust Marguerite Chardonnay 2009
Austrian International Wine Awards 2010
  • Gold Medal: Grande Provence Sauvignon Blanc 2010, Grande Provence Cabernet Sauvignon 2007 and Grande Provence Shiraz 2007.
  • Silver Medal: Grande Provence Chardonnay 2009.
Mundus Vini International Wine Awards (Germany)
  • Gold Medal: Grande Provence Sauvignon Blanc 2010

Signs That It's That Time of The Month

Stellenbosch Municipality will start with the removal of all “red, white and blue” signs located in the main road of Franschhoek during the last two weeks of October 2010.

Removed signs will simultaneously be replaced with the appropriate official brown tourism signs with the symbol applicable to accommodation establishments.

Please contact the office at 021 876 2861 if you require further information.

America Wins WOSA Sommelier World Cup

The inaugural winner of the Wines Of South Africa Sommelier World Cup is Christopher Bates from the US, who came away with the top overall score after a rigorous series of theoretical and practical examinations in the knowledge of South African wine.  He was up against 11 other professional specialists in wine service, all chosen as their national representatives in the challenge conceived and arranged by the industry organisation, Wines of South Africa.

The 12 finalists were examined by a seven-member panel of internationally trained and certified sommeliers and wine educators.  Competitors came from the UK, the Netherlands, Belgium, Germany, Denmark, Sweden, Finland, Norway, Russia, the US, Canada and South Korea, all countries which import South African wines and that enjoy an established culture of professional wine service.

The competition culminated in a multi-part examination held at the Grande Roche in Paarl.  The first part involved a written test and was followed by a blind tasting in which participants had to accurately identify a selection of wines made locally. The top four scorers also took part in a live “restaurant” contest on stage with the judges acting as restaurant patrons. There was a large audience present of wine producers and members of the local hospitality industry.

Said Birch: “The week-long visit, culminating in Saturday’s contest, created a great opportunity to expose an important group of opinion leaders to the diversity and excellence of South African wines. Many sommeliers play a key role in compiling wine lists for restaurants and hotels, and are in this respect, ideal ambassadors for us.

“There has been huge interest from the international wine fraternity and judging by the level and extent of support, there is definitely the appetite to continue the competition. We hope to involve a broader spectrum of countries in future, particularly from Africa, where the profession is still in its infancy.”


Arts Association Stellenbosch – Talk by Kathryn Smith

Emmanuel Adebayor: Togo 2010
Experimental mosaic poster for the Word Cup
Kathryn Smith will be giving a talk on 'Something Happened on the Way to the Gallery: Experimental Practices In South African Art from the 1960s to Now' at the monthly meeting of the Arts Association Stellenbosch on Wednesday 27 October at 17h30 at the Sasol Art Museum, Ryneveld Street, Stellenbosch. Members free, guests R30.

This talk attempts to unravel the notion of the experimental in art, alongside related concepts of the avant-garde, the contemporary and the conceptual. It refers to so-called 'radical' positions in recent South African art that demonstrate an awareness of international concerns,while attempting to find their own specific language (that may not appear immediately or directly political) in response to the particular conditions of cultural isolation and an emergent democracy.

The talk attempts to offer new ways to think about this work, which is poorly documented in available publications about South African art, and suggests that experimentation is a form of resistance in itself.

Kathryn Smith (b. 1975) is an artist who operates at the interface between studio work, curatorial projects and scholarly research. [Her studio practice has been described as demonstrating a 'forensic aesthetic', incorporating camera-based media, drawing and text into installation environments that investigate the relationship between violence and space. Her scholarly and curatorial projects are focused on developing the histories and discourses of historical avant-garde and experimental/radical practices in South Africa in relation to contemporary practice, with particular focus on new media, dialogical/situated practices and performance.]

Recent projects include researching and writing the artist's monograph 'Barend de Wet' (SMAC, 2010) and co-curating 'Dada South? Exploring Dada legacies in South African Art, 1960 to the present' with Roger van Wyk (Iziko South African National Gallery, 2009 - 2010).

She is senior lecturer and co-ordinator of the Fine Arts studio practice programme at the Department of Visual Arts, University of Stellenbosch.

Oct 17, 2010

The Month's Picnic Review - No longer under wraps...

The November edition of The Month features a review of three popular picnic destinations.

Take our poll to be sure to see your favourite area get a mention. For the moment it's either Franschhoek or Paarl. Seems like Stellenbosch doesn't do picnics? Think I'll visit Warwick today just to see...

Oct 14, 2010

November Not Too Far From Here... Cederberg

The Month visited the Cederberg earlier and the hike shown below forms the basis of an article in the Novemebr edition of The Month.


EveryTrail - Find the best

Alto releases limited edition red blend - MPHS, at R700 a bottle.


Schalk van der Westhuizen is marking his first decade as winemaker of Alto with the release of MPHS, a powerful but sleek micro-cuvée created to honour the extraordinary soils and location of this dryland Stellenbosch red wine estate set high on the Helderberg Mountain.

Just six barrels (amounting to 1 800 litres) have been made of the maiden 2007 vintage of the 67/33 blend of Cabernet Franc and Cabernet Sauvignon, aged for two years in wood and then left to mature in the bottle for another year before release.

The cryptic name MPHS reflects the initials of the four winemakers who have built the reputation of the farm. They are Manie Malan, whose father planted only red varietals on Alto as early as the 1920s; Piet du Toit, who acquired the farm in 1959; his son, Hempies, the renowned Springbok rugby player, who took over in 1983; and Schalk himself, who joined Alto in 2000.

Like its maker, MPHS is big and muscular but also lithe and restrained.  Its concentrated black and red fruit flavours have been tempered by 24 months in new French oak. 

It is produced from what Van der Westhuizen believes are the farm’s best two blocks of the two varietals chosen for the blend: a 2 ha block of Cabernet Franc planted 350m above sea level in deep red Hutton soils and 11 years’ old at the time of picking; and a 5 ha block of Cabernet Sauvignon, sited 500m above sea level and established in stony granite soils, with the vines 14 years old in 2007.

Both vineyards are cooled by afternoon maritime breezes blowing off False Bay to protract ripening. Under viticulturist Eben Archer, a strong focus was placed on vine root development and distribution in these vineyards which today produce fruit of exceptional balance.

 “Prof Archer has shown that there is a direct correlation between the quality of the vine root system and eventual grape and wine quality,” says Van der Westhuizen.  “The size, health and activity of the root system impact on the growth of the shoots and leaves above the ground.  By applying carefully designed soil surface management techniques coupled with the optimal spacing of vine rows and vines within each row, and the use of vertical seven-wire trellising systems, a favourable balance is achieved between subterranean and surface growth of the vines. As a result, the total volume of roots is matched by the total volume of top growth, including fruit, leaves, trunk and stems.

“Thanks to the condition of the vines and their deep root systems, we were able to pick the grapes at 26° Balling and still ensure an excellent balance between fruit flavour, acid and sugar.  We harvested on taste, when the tannins were fully ripened and the berries had reached a peak of flavour concentration. 

“Normally, these grapes would find their way into our larger-volume Cabernet Sauvignon or Alto Rouge wines but these gems have been given a voice of their own in the new blend.  We selected the best-of-best fruit and had to compete with the baboons to make sure we got to it before they did!” says Van der Westhuizen. “They have an unerring instinct for always identifying the prime quality berries.”

He says the wine’s fruit intensity has been contained by extended ageing in medium-toasted small barrels, sourced from three coopers to add to its complexity.  “I originally thought 18 months would be enough but the fruit was still too powerful at that point.  Two years was just the time the wine needed in wood to create the rounded but graceful richness and complexity I was aiming for.”

After the final assemblage the wine was very lightly filtered before it was bottled.

He is proud of the pleasing harmony of MPHS.  “When you pick at such ripeness, it is always a challenge to achieve a finessed profile but I think we have succeeded. The wine is ready for enjoyment now but it has the structure to age for a decade at least.”

In his typically modest and understated way, he explains that the idea for MPHS was prompted by one of Alto’s strongest advocates, Janånke Johansson, the farm’s Swedish importer and a widely respected wine judge and trader, who believed the time had come for a small-edition, hand-made wine that would reflect the very best of Alto to aficionados.

MPHS will only be made during outstanding vintages and the ratio of the two Cabernets will depend on the profile of the fruit each year. “We take our cue from nature on this and no two vintages are likely to follow the exact same recipe.”
 
Locally the wine is available from a small selection of stockists and retails at around R700 per bottle.  For details of where it is being sold, contact Cape Legends on 021 809 7000.